Knob
Stakes
You might say: what’s at risk, what could be lost
What the character loses if she fails. Bell groups stakes as three kinds of death: physical, professional and psychological.
- What it does
- Sets how much the reader cares about each conflict.
- Ask
- What happens if she fails, and how could it get worse?
- Typical
- Personal and public stakes (Maass); at least one kind of death (Bell)
- Trouble
- Big explosions but a bored reader: the loss is not personal.
What to look for
- Personal and public consequences
- Physical, professional or psychological death
Catalogue: Kind of death
- Physical death: Someone dies if the opposition wins. Maya’s own name is on the list.
- Professional death: The job or calling is on the line. If Maya speaks up, she may never work as a nurse again.
- Psychological death: She dies inside if she fails to change. If Maya stays quiet, she becomes part of the silence.
Connections
- Raises: Tension and release
Sources
- Donald Maass, “Exercise: Defining Personal Stakes”, Steps 1–5
Without personal stakes, even the highest-voltage thriller can read like an empty plot exercise.
- Donald Maass, “Exercise: Raising Public Stakes”, Steps 1–5
Take them higher and deeper. Make them worse—much worse.
- James Scott Bell, “High Stakes? Death. Always Death” interview, Question 2
Death. Always death. Physical, professional, or psychological.
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