Process
Colour grade
You might say: color correction, grading, LUT
First correction (fix exposure and white balance so shots match), then grading (a chosen look). Scopes such as the waveform and vectorscope measure it.
- What it does
- Makes shots match and skin look natural; sets the mood.
- Ask
- Do skin tones look right, and do the shots match?
- Trouble
- Orange or green skin, crushed shadows, or shots that jump in colour.
What to look for
- Shots matching in exposure and white balance
- Natural-looking skin tones
- Shadows or skin jumping orange or green
Sources
- Daria Fissoun, The Colorist Guide to DaVinci Resolve 20, §1 Balancing Footage, §2 Creating Color Continuity, §3 scopes
In this lesson, you’ll familiarize yourself with the primary grading tools used to adjust the tonal range and color balance of clips on a timeline, learn to read waveforms and parade scopes for optimal matching
Use it on your project
teardown-apply: hold "Colour grade" (color-grade) from the teardown at https://teardownatlas.com/content-creation/ against my project
Paste it into a coding agent that has the teardown skills.
An AI agent wrote this map with the teardown skill. It can contain errors: check the sources before you rely on a part. About and legal